Collection of eighty street ballads on forty sheets, mostly with a woodcut printed at London, the majority by J. Catnach (1820ñ1830). London: n.p., n.d. University of Minnesota Libraries. WILSON Rare Books Quarto 820.1 C683.

Broadside pasted to album leaf 17, containing "The Golden Glove" (left column), and "The Keel Row" and "The Minute-Gun at Sea" (right column).
 


The Golden Glove.

Printed by J. Catnach, 2, Monmouth-court, <7> Dials. Battledores, Primers, &c. sold very cheap.
 





Basic transcription and commentary (below) by Eric Welle.  Pointed brackets mark emendations.

The broadside ballad "The Golden Glove" inverts many of the traditional societal norms of early-modern England.  The female character is of the aristocratic class, and traditionally, such a woman would marry a man of equal or superior status.  She is depicted as disregarding this relationship to pursue her heart and marry a farmer, someone of inferior status.  Not only does she choose her husband independently, but she disregards the barriers of class when doing so.  This female character is the epitome of a "disorderly woman" (Wiltenberg 1992): she is unwilling to conform to societal standards.  And yet she is not portrayed as  being a menace to the patriarchal order.  The father is simply absent in this narrative, and the originally intended husband is hardly visible.  The absence of a dominating male figure implies that the heroine is not subject to any man: she is her own woman and follows her will.  Her transvestitism further suggests her "disorderly" nature.


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Michael Hancher
Department of English, University of Minnesota
URL: <http://umn.edu/home/mh/newgipsy.html>
Comments to: mh@umn.edu
Created 5 May 1997
Revised 29 June 1997