Collection of ballads, songsheets. 2 vols. London: J. Pitts, 1805­1840? University of Minnesota Libraries. WILSON Rare Books Quarto 820.1 Z. Vol. 2.

Pasted to album leaf 10: broadside containing "The Protestant Song" (left column) and transcript of "Winchelsea's Address to the Protestants" (right column).



Wood engraving of the royal arms.
 

The Protestant Song


Winchelsea's Address to the Protestants.

Fellow Countrymen, brother Protestants<,>

In the name of our country & our God I call upon you, without one moment<'>s delay, boldly to stand forward in defence of our Protestant Constitution & Religion of that Constitution which is the foundation of our long cherished libertiesóof that Religion which is the source of the many blessings which this nation has received from the hands of the Almighty Governor of the Universe.
   Let the voice of Protestantism be heard from one end of the Empire to the other. Let the sound of it echo from hill to hill and vale to vale. Let the tables of the Houses of Parliament, groan under the weight of your petitions, and let your prayers reach the foot of the throne, & tho' the great body of your degenerate <s>enators are prepared to sacrifice, at the shrine of treason and rebellion, that constitution for which our ancestors so nobly fought and died, yet I feel confident that our gracious Soverign<.> true to the sacred oath which he has taken upon the alters of our country to defend our Constitution and our religion from that church which is bent upon their destruction, will not turn a deaf ear to the prayers & supplications of his loyal protestant subjects.

         I have the honor to Be
                 With every respect
    Your humble and devoted servant,
        Winchelsea and Nottingham,
 London, Feb. 9, 1829.

Pitts Printer, Toy and Marble Warehouse, 6, Great St. Andrew Street, seven dials. Sold also by F. Challoner, 64. Leman Street. Whitchaple. 



Transcription, annotations and HTML coding by Brett Single.  Pointed brackets mark conjectural readings and emendations.

This ballad responds to the Emancipation Act (1829), which granted to Irish and British Roman Catholics freedoms previously extended only to Anglican Protestants.  The former Anglican Protestant ascendancy in Ireland found itself outnumbered and threatened by Roman Catholic majority.  A literary lashing-out at political events in Ireland, "The Protestant Song" defends the Anglican "High Church" against the imagined threat of a "Papist Conspiracy."  For further commentary see Brett Single, "Celtic History and Politics in The Ballads of Seven Dials."

As an entrepreneur Pitts printed ballads that expressed both sides of the Catholic Emancipation controversy: compare "A New Song on the Catholic Emancipation" (decorated with a matching woodcut).


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Michael Hancher
Department of English, University of Minnesota
URL: <http://umn.edu/home/mh/protest.html>
Comments to: mh@umn.edu
Created 19 May 1997
Revised 28 June 1997