THIS BOOK is the first installment of an extended project, which will sort through and define useful categories for evaluating William Blake as a producer of many different types of art. This installment concentrates on technical aspects of Blake's achievement. Viscomi argues that Blake restricted his production of illuminated books to three distinct periods of his career. Blake worked systematically, making plates, running his press, and water-coloring (with the help of his wife) at particular times, rather than meeting the demands of specific customers or patrons. Changes in Blake's methods suggest that he deliberately, if unsuccessfully, sought commerial success. His innovations did not depend solely on the desires (or perceived desires) of his patrons, but responded to the technical demands of his medium. (Joan Menefee.)


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Michael Hancher

Department of English, University of Minnesota

URL: <http://umn.edu/home/mh/txtimjm6.html>

Comments to: mh@umn.edu

Created 20 November 1997

Revised 23 December 1997